As someone who loves the MCU but is unfamiliar with comic books what makes Mad Bomber so special?

Ah, I got slightly confused there – the Mad Bomber is George

Metesky, a real-life supervillain who set off bombs across New York City for sixteen years before he was caught. 

Madbomb is special for a lot of reasons. First and foremost, it’s Jack Kirby both writing and drawing one of his signature creations, which means you get amazing visuals like this:

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But that’s not all – you also get cameos from Henry Kissinger, a secret 200-year-old Royalist conspiracy to overthrow the U.S government and restore the British Monarchy, Captain America and Sam Wilson having very frank discussions about the linkages between American democracy and slavery, Cap and the Falcon being thrown into the plot of Rollerball (aka “Kill-Derby”), and of course a bomb that can drive people insane. 

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In other words, it’s high-concept superhero action mixed with pop culture references and cultural anxieties of the 1970s mixed with Jack Kirby’s unique Olmec- and surrealist-inspired art. 

And I love it unreservedly. 

Would Captain America Approve of Punching Nazis? (YES.)

graphicpolicy:

Would Captain America Approve of Punching Nazis? (YES.) #comics #failhydra #captainamerica

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As would surprise absolutely no one who’s followed my People’s History of the Marvel Universe series, I’m a strong believer in the idea that our pop culture is both influenced by our political culture and can have a strong influence on that political culture. Thus, it’s a major problem when the author of both of Marvel’s current Captain America comics gets all pearls-clutchy about whether it’s ok…

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The long-delayed/waited blog post about Marvel’s current Captain America comics and the punching of Nazis. 

I Love Captain America: Civil War, But…

http://io9.gizmodo.com/before-civil-war-the-third-captain-america-movie-was-a-1785754186

This news fills me with a strange combination of retroactive regret, anger, wistfulness, and bewilderment, because as much as I love Captain America: Civil War, Jack Kirby’s MADBOMB is one of the greatest Captain America stories ever written and drawn and it kills me that we might have gotten to see the Russo Brothers attempt it on the big screen but it never happened.

I need a german compound word to express how I feel right now.

I’ve really enjoyed your analysis of the Marvel universe. You’ve forced ne to reconsider my opinion of Captain America, who I previously had little interest in. Could you recommend any particular storylines revolving around him? Thank you! (Fingers crossed that you’ll do something with Spider-Man someday!)

I could definitely recommend some particular storylines

The Sleeper Awakens (Tales of Suspense #72-74, Cap #101, #148) – Captain America fights a bunch of the Red Skull’s giant Kirby robots. They are awesome Kirby robots. 

The Cosmic Cube (Cap #115-119) – the Red Skull gains the powers of God, Cap fights him and wins, thanks to Cap’s determination and the power of love.

MODOK! (Tales of Suspense #94, Cap #119, 124, 132, 133) – Kirby’s giant Olmec baby head assassin is hilarious and surprisingly socially conscious, if still evil. 

Cap vs. Nixon (Cap #166-176) – Captain America is targeted by the Committee to Re-Elect the President, foils the Secret Empire’s attempt to overthrow the U.S government, unmasks Nixon as the head of the Secret Empire, Nixon commits suicide rather than be arrested. Cap resigns and goes in search of America.

Madbomb! (Cap #193-200) – Captain America and the Falcon team up to save America from a bomb that will turn all of America into mad rioters, a conspiracy to restore monarchy to America, an underground murderball league, Captain America travels through time, and Arnim Zola tries to transplant Hitler’s brain into Captain America. One of the best Kirby runs ever, therefore one of the best comics runs ever.