That’s really hard, because they were all quite good, with 2017 arguably being the best year for the MCU.
I would probably go with Thor, Spiderman, Guardians 2, but I feel like that could change at the drop of a hat.
Just a backup in advance of the detumblring
That’s really hard, because they were all quite good, with 2017 arguably being the best year for the MCU.
I would probably go with Thor, Spiderman, Guardians 2, but I feel like that could change at the drop of a hat.
It’s kind of a running joke now, with Jamie and me randomly tearing on RP1. Jamie read it on a plane, and was so annoyed, he forced me to read it. I was two seats behind him and the right, so I got to watch his responses live. There was an awesome bit where he literally shut the book and shook his head. I did pretty much the same thing, at the same point.
There’s various issues with it, but the core philosophical one would be is that its plot is the inverse of Rue Britannia’s. It’s a story where a Retromancer has enslaved an entire world and we’re meant to cheer and not think it’s fucking creepy.
How was Harys Swyft able to consolidate power over the government so fast? The two Kettleblacks were arrested by Kevan, not Swyft, so why’d they stick around for Kevan to show up? Why’d Osfryd tolerate being stripped of command of the Goldcloaks without causing a Goldcloak civil war between himself and Humfrey Waters? And what was Osmund doing? Why didn’t Swyft remove him too? Wouldn’t the two have reason to skip town once they heard of Cersei’s arrest, like Owen Merryweather and Aurane Waters? And why did Qyburn tolerate being kicked off the Small Council? Why didn’t he move first and have Swyft ousted?
My understanding is that often times inns in fantasy are anachronistic in the way they are depicted. In our own history inns largely sprung up in the stagecoach era when roads were better and travel was more common. In Westeros it seems they cater to travelling nobility rather than say, merchants. Am I correct in thinking this is anachronistic?
See here.
I don’t, sorry.
Usually hardcover, although these days I tend toward e-books.
Because they haven’t seen them in eight thousand years. For them, the signal pattern is an ancient tradition no one really believes in.
The ravenry system of the maesters is a very complicated point-to-point communication system, based on the historical use of homing pigeons. As with homing pigeons, most ravens are one-directional and have to be transported back to their homes to be used again, and the system as a whole works because maesters in each castle have a bunch of ravens trained to go to different castles, which they then share around to maintain contact.
However, there are some birds that are an exception:
The maester mopped sweat from his brow with his sleeve. “N-not entirely, Your Grace. Most, yes. Some few can be taught to fly between two castles. Such birds are greatly prized. And once in a very great while, we find a raven who can learn the names of three or four or five castles, and fly to each upon command. Birds as clever as that come along only once in a hundred years.” (TWOW)
Evidently, the Citadel haven’t figured out the historical trick that you can reliably get homing birds to go in two directions “by placing their food at one location and their home at another location.”
As for why that order…it’s about dramatic tension. The sudden spike in tension that comes from going from one blast meaning “friends” to two blasts meaning “enemies” doesn’t work if it goes one = wildlings and two = rangers.
Likewise, the two/three structure allows for a further spike in tension: you thought you were dealing with a regular enemy, but now you’re dealing with a much more dangerous threat!
Storm, you cunning so and so).